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	<title>Comments on: Bakhtin and the Carnivalesque</title>
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		<title>By: The Box, the Abuser and the Suitcase &#171; truck. cabin. spoon.</title>
		<link>http://blog.ajchristian.org/2008/04/25/first-encounter-bakhtin-and-the-carnivalesque/comment-page-1/#comment-179385</link>
		<dc:creator>The Box, the Abuser and the Suitcase &#171; truck. cabin. spoon.</dc:creator>
		<pubDate>Sat, 09 Apr 2011 18:02:57 +0000</pubDate>
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		<description>[...] When I watched the beginning of the video (I really couldn&#8217;t bring myself to watch it in its entirety), I was reminded of a concept introduced to me by a priest in my Media Studies class, the theory of the Carnivalesque by Mikhail Bakhtin. He said he likes watching Wowowee because it says it is a perfect Filipino example of the carnivals of the Middle Ages. Willing Willie, that video of Janjan in particular, is these day&#8217;s carnival. Bakhtin said that the carnival &#8220;opened up a space where social distinctions become blurred, hierarchies suspended, free contact between people became possible, and parody allowed for open critique&#8221; (Christian, 2008). [...]</description>
		<content:encoded><![CDATA[<p>[...] When I watched the beginning of the video (I really couldn&#8217;t bring myself to watch it in its entirety), I was reminded of a concept introduced to me by a priest in my Media Studies class, the theory of the Carnivalesque by Mikhail Bakhtin. He said he likes watching Wowowee because it says it is a perfect Filipino example of the carnivals of the Middle Ages. Willing Willie, that video of Janjan in particular, is these day&#8217;s carnival. Bakhtin said that the carnival &#8220;opened up a space where social distinctions become blurred, hierarchies suspended, free contact between people became possible, and parody allowed for open critique&#8221; (Christian, 2008). [...]</p>
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