Over at Ronebreak, I unpack whether Judd Apatow, whose Funny People opened this past weekend at number one at the box office (but below his previous movies), is really the sexist misogynist Katherine Heigl suggests or whether something else is at play in her critique. It doesn’t seem to matter either way, since Apatow has signed a three picture deal with Universal. We’ll be watching his movies for many, many years to come.
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[...] It’s led me to defend Nancy Meyers, pan Elegy, praise Italian auteur Paolo Sorrentino and question Judd Apatow. Clearly, I’m somewhat consistent on the matter. I’m also on the record as being a [...]