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	<title>Comments on: What is &#8220;Television&#8221;? Broadcast, It Is Not</title>
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		<title>By: Big Marketing May Be Down. Is It Dead?&#160;/&#160; TELEVISUAL</title>
		<link>http://blog.ajchristian.org/2009/12/13/what-is-television-broadcast-it-is-not/comment-page-1/#comment-3065</link>
		<dc:creator>Big Marketing May Be Down. Is It Dead?&#160;/&#160; TELEVISUAL</dc:creator>
		<pubDate>Sat, 03 Jul 2010 07:28:34 +0000</pubDate>
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		<description>[...] broadcast television, we&#8217;re obviously consistent declines in the 18-49 audience; it&#8217;s why Oprah is leaving (and those carriage fees). Perhaps more tellingly, new series are [...]</description>
		<content:encoded><![CDATA[<p>[...] broadcast television, we&#8217;re obviously consistent declines in the 18-49 audience; it&#8217;s why Oprah is leaving (and those carriage fees). Perhaps more tellingly, new series are [...]</p>
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		<title>By: Is Black Queer Back?&#160;/&#160; TELEVISUAL</title>
		<link>http://blog.ajchristian.org/2009/12/13/what-is-television-broadcast-it-is-not/comment-page-1/#comment-2801</link>
		<dc:creator>Is Black Queer Back?&#160;/&#160; TELEVISUAL</dc:creator>
		<pubDate>Thu, 24 Jun 2010 17:00:11 +0000</pubDate>
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		<description>[...] Culturally speaking, I think it&#8217;s certainly possible the desire to consume in niches, a process beginning in earnest in the 1990s, has led people to marginal corners of cultural production, the same impulse driving TV watching to cable. [...]</description>
		<content:encoded><![CDATA[<p>[...] Culturally speaking, I think it&#8217;s certainly possible the desire to consume in niches, a process beginning in earnest in the 1990s, has led people to marginal corners of cultural production, the same impulse driving TV watching to cable. [...]</p>
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		<title>By: White Supremacists Are Back (On Television)! &#171; Televisual</title>
		<link>http://blog.ajchristian.org/2009/12/13/what-is-television-broadcast-it-is-not/comment-page-1/#comment-354</link>
		<dc:creator>White Supremacists Are Back (On Television)! &#171; Televisual</dc:creator>
		<pubDate>Mon, 22 Mar 2010 19:22:20 +0000</pubDate>
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		<description>[...] programming to cut through the TV clutter, along with the general tendency among certain cable networks – the premium channels, along with FX, TNT, AMC, etc. – toward “cutting edge” [...]</description>
		<content:encoded><![CDATA[<p>[...] programming to cut through the TV clutter, along with the general tendency among certain cable networks – the premium channels, along with FX, TNT, AMC, etc. – toward “cutting edge” [...]</p>
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		<title>By: What Can U.S. Series Learn from Telenovelas? &#124; Racialicious - the intersection of race and pop culture</title>
		<link>http://blog.ajchristian.org/2009/12/13/what-is-television-broadcast-it-is-not/comment-page-1/#comment-353</link>
		<dc:creator>What Can U.S. Series Learn from Telenovelas? &#124; Racialicious - the intersection of race and pop culture</dc:creator>
		<pubDate>Mon, 15 Feb 2010 12:02:38 +0000</pubDate>
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		<description>[...] to writer fatigue and audience boredom. For broadcast networks trying to grapple with a fickle and fleeing audience, novel-based programming might just be the solution. Heroes would have done well to learn [...]</description>
		<content:encoded><![CDATA[<p>[...] to writer fatigue and audience boredom. For broadcast networks trying to grapple with a fickle and fleeing audience, novel-based programming might just be the solution. Heroes would have done well to learn [...]</p>
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		<title>By: What Can U.S. Series Learn From Telenovelas? &#171; Televisual</title>
		<link>http://blog.ajchristian.org/2009/12/13/what-is-television-broadcast-it-is-not/comment-page-1/#comment-352</link>
		<dc:creator>What Can U.S. Series Learn From Telenovelas? &#171; Televisual</dc:creator>
		<pubDate>Thu, 28 Jan 2010 23:51:53 +0000</pubDate>
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		<description>[...] to writer fatigue and audience boredom. For broadcast networks trying to grapple with a fickle and fleeing audience, novel-based programming might just be the [...]</description>
		<content:encoded><![CDATA[<p>[...] to writer fatigue and audience boredom. For broadcast networks trying to grapple with a fickle and fleeing audience, novel-based programming might just be the [...]</p>
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